How about you frank

How about you frank sinatra

They do not lip-synch to pre-recorded tracks. Incorrect use of the terminologies creates confusion in the marketplace. For example, as of July 2008 there are two albums of the Mamma Mia! score. The first is the original London cast recording from 1999, while the latest is the film soundtrack. While it is correct to call the soundtrack a cast recording since it is the cast of the film version it is incorrect to call the original London cast recording a soundtrack. The first musical film to have a commercially issued soundtrack album was MGM âs film biography of Show Boat composer Jerome Kern, Till the Clouds Roll By. The album was originally issued as a set of four 10-inch 78-rpm records. Only eight selections from the film are included in this album. In order to fit the songs onto the record sides the musical material needed editing and manipulation. This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, the copy and re-copy them from one disc to another adding transitions and cross-fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very dry without reverberation; otherwise it would come across as too hollow sounding in large movie theatres. This made these albums sound flat and boxy. MGM Records called these original cast albums in the style of Deccas Broadway show cast albums. They also coined the phrase recorded directly from the soundtrack. Over the years the term soundtrack began to be commonly applied to any recording from a film, whether taken from the actual film soundtrack or re-recorded in studio. The phrase is also sometimes incorrectly used for Broadway cast recordings. While it is correct to call a soundtrack a cast recording since it represents the film cast it is never correct to call a cast recording a soundtrack. Among their most notable soundtrack albums were those of the films Good News, Easter Parade, Annie Get Your Gun, Singin in the Rain, Show Boat, The Band Wagon, Seven Brides for Seven Brothers, and Gigi. Film score albums did not really become popular until the LP era, although a few were issued in 78-rpm albums. Alex Northâs score for the 1951 film version of A Streetcar Named Desire was released on a 10-inch LP by Capitol Records and sold so well that the label later re-released it on one side of a 12-inch LP with some of Max Steiners film music on the reverse. Steinerâs score for Gone with the Wind has been recorded many times, but when the film was reissued in 1967, MGM Records finally how about you frank sinatra an album of the famous score recorded directly from the soundtrack. Like the 1967 re-release of the film, this version of the score was artificially enhanced for stereo. In recent years, Rhino Records has released a 2-CD set of the complete Gone With the Wind score, restored to its original mono sound. One of the biggest-selling film scores of all time was John Williams s music from the movie Star Wars. Many film score albums go out-of-print after the films finish their theatrical runs and some have become extremely rare collectorsâ items. In a few rare instances an entire film dialogue track was issued on records. The 1968 Franco Zeffirelli film of Romeo and Juliet was issued as a 4-LP set, as a single LP with musical and dialogue excerpts, and as an album containing only the films musical score. The ground-breaking film Whos Afraid of Virginia Woolf? was issued by Warner Bros Records as a 2-LP set containing virtually all the dialogue from the film. RCA Victor also issued a 2-LP set what was virtually all the dialogue from the film soundtrack of A Man for All Seasons. The term soundtrack now most commonly refers to the music used in a movie or television show, and/or to an album sold containing that music. Sometimes, the music has been recorded just for the film or album Saturday Night Fever. Often, but not always, and depending on the type of movie, the soundtrack album will contain portions of the score, music composed for dramatic effect as the movies plot occurs. In 1908, Camille Saint-SaĂns composed the first music specifically for use in a motion picture Lassasinat du duc de Guise, and releasing recordings of songs used in films became prevalent in the 1930s. Henry Mancini, who how about you frank sinatra an Emmy Award and two Grammys for his soundtrack to Peter Gunn, was the first composer to have a widespread hit with a song from a soundtrack. By convention, a soundtrack record can contain all kinds of music including music inspired by but not actually appearing in the movie; the score contains only music by the original films composers. Soundtrack may also refer to music used in video games. While sound effects were nearly universally used for action happening in the game, music to accompany the gameplay was a later development.